This fairy tale reminded me of children’s theatre, a visit at the circus, and a Hollywood love story and action film all mixed into one. It is fun to watch Jonny Depp play a pirate who has been deposed by his crew and now wants to regain his position as the captain of a famed pirate sailing ship. Some of the dialogues are excellent. The writers know how to put together entertainment for all ages.
Continue ReadingThe slim book on which the film is based is a wonderful read. Knowing the book makes the film much less exciting. The first hour feels very slow, particularly because book felt brisk. In the second hour the drama receives a jumpstart and you forget that you are sitting on perhaps a not so comfortable seat in the movie house. I read the book in one evening and savored the experience. After two hours watching The Reader I felt drained. A story nourished by the background of German society’s difficulty to come to terms with what Germans did between 1933 to 1945 was turned in the film into a story about how individual lives are messed up by experiences during childhood and youth. That story we have heard a million of times. Commercially the film benefitted from being made by Hollywood.
Continue ReadingLast time I looked, India had the second largest film industry in the world. Yet very seldom a Bollywood movie reaches the eyes of a western audience. The genius behind Slumdog Millionaire is to make Western filmmakers translate a Indian based-story into a western film format. In the process, a magnificent film has arrived on American shores that will be a strong contender for the Oscars. The film is a fairy tale for adults with great dramatic and romantic force. Its wonderful story gives you a glimpse of India—with all its contradictions—that most Americans and Europeans would have never seen. The film covers a 25-year period in the life of Jamal and his slightly older brother Salim who grow up in the slums and later are pulled apart because of differences in personalities and circumstances. Emotionally the first part of the film reminded me of Cinema Paradiso, the second part of teenage delinquency epics, and the final part of modern game show
Continue ReadingIn my junior or senior year I formulated this motto: I want to turn my life into a work of art. What I had in mind was something like this: Rather than turning out work that could be construed as art I wanted to make sure that my life as a whole was esthetically compelling. Given the gifts and option available to me, I wanted to mold my life into something could compete with what is widely considered a compelling work of art. Jonathan Caouette, in his stunning autobiographical documentary Tarnation, turns his life into a work of spectacular art. But watching the film I realized that when I hatched my plan I conceived it as way to live forward. Caouette looks backward at age 30 and tries to make sense of his strange family life by construction an autobiography using only photos, super 8, answering machine messages, and video snippets that he collected since he was eleven years old.
Continue ReadingA psychologically pleasing story offers you some resolution at the end. John Patrick Shanley, the writer and director of Doubt, denies you this pleasure. He errs on the side of wanting to teach you too much. He wants you to be in doubt at the end of the film and this means never revealing what really happened. The film takes place in a catholic school in the Bronx in the 1960s. The head nun (Meryl Streep) suspects that the school’s priest (Philip Seymour Hoffman) is abusing his position of power. She harbors no doubt and uses all her political skill to get the priest to resign. In the end, after the priest is gone, she admits to her confidant that she is in doubt but we never find out if the priest did anything wrong. If you are someone who already knows that we never can be absolutely sure, the movie will not give you much.
Continue ReadingThe German title of the film (Auf der anderen Seite) means something like
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