When Heath Ledger died early this year, I was deeply disturbed by his death. I surprised myself by the strength of my sadness. What made it so difficult to accept his untimely death was my sense that this extraordinary talent could have mesmerized us for decades to come with his acting skills. The best thing about The Dark Knight is Ledger
Continue ReadingMy expectations about this airplane film were modest. A family is cursed and the fist female bay will be born with a pig
Continue ReadingWe Own the Night transports you back into the disco era. Drugs were a big part the Studio 54 scene (I visited famous disco once before it closed and marveled about Grace Jones
Continue ReadingBoth films have high ambitions: they want to capture the spirit driving American society. In the Coen brothers
Continue ReadingI Now Pronounce You Chuck & Larry reminded me of an episode of the Love Boat in the 1980s. After yet another romantic disappointment, a lady decides that she had it with men. She meets a notorious womanizer on the boat. To get the woman “into the sack”, the gigolo plays the role of a man who claims that he also never wants to start a new relationship. To make their commitment to abstinence even stronger, the womanizer proposes after a few encounters that they should sleep in the same bed andprove to themselves that they are capable of foregoing sex. The lady agrees, but her hand reaches over to his side of the bed before longThe next morning the love boat has a new romantic pair. Back to Chuck & Larry. Chucks wife has died and he no longer is entitled to spousal benefits from the City of New York, which would help his children in case he would also die. Chuck asks his womanizing best fried to pretend that he is his domestic partner.
Continue ReadingAbout three years ago I acquired a collection of the best Bob Dylan records. I was surprised how many songs I knew, reminding me just how influential Dylan’s music had been during the past four decades. I am not there is an artistic experiment that manages to be a total failure. Todd Haynes wants to tell the story of Bob Dylan by showing him through entirely different characters, ranging from a young black vagabond kid to middle-aged cowboy. At the end of the film I yearned to simply listening to Dylan’s songs rather than seeing the collage of biographies of different people that are supposed to stand for the life of Dylan. Dylan’s songs tell you more about him than this “art-film”. The one saving grace is Cate Blanchet, who plays one of the characters representing Bob Dylan. She does a much better job than all of the other stars (Christian Bale, Richard Gere, Heath Ledger) who had signed to represent through a role Bob Dylan.
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