Recently, I saw a clip from Forrest Gump, and this inspired me to watch the film again. I had these memories of Forrest Gump: he’s not very smart, and he’s best friends with a Black man who he later goes into a fishing business with in the South of the United States. The film holds up even after 30 years. I found it interesting that I had no memory of the love story that is at the center of the entire film.
Early on in watching Anora, I had the idea that this was a remake of Pretty Woman with a lot more skin than my grandmother would’ve appreciated. But the film then moved far away from a romantic comedy when the friends of the Russian billionaire’s son, Ivan, who plays the Richard Gere character in this film, learn about rumors that Ivan has tied the knot with a hooker. What a shame on the family! Apparently, the billionaire’s parents have given an associate in New York the task of keeping the spoiled son out of trouble.
The film has three parts. The first one takes an attractive, American hooker and a charming young Russian billionaire and seemingly makes them fall in love with each other, although that is not what both of them had planned. In the second part, the adult supervision of Ivan is trying to make this love undone, and the third part I’m not revealing here because I don’t want to spoil your movie-watching experience.
For many years, I have recorded films that I want to see in a to-do list software called OmniFocus. There are 128 items on the films list. One of them is Okuribito (a foreign language film). It is in position No. 5, which means it was recorded many years ago. I searched for the film and found that it is called Departures in English. To my surprise, it won the Oscar for Best Foreign Language Film in 2009. This was probably how it ended up on my list of films to watch 15 years ago.
Shakespeare wrote his play Romeo and Juliet in 1596. I just learned that there have been at least 30 major motion pictures of the play. I once read that there is a new Romeo and Juliet film every year, but I could not confirm this. In any case, Shakespeare’s genius lies in his ability to find, reshape, and invent stories that resonate with human beings across centuries. My first encounter with Romeo and Juliet in a film was in 1996 when Baz Luhrmann cast young Claire Danes and Leonardo DiCaprio in a modernized version set not in historical Verona, but somewhere in the United States. I remember liking this transposition of the storyline into modern America. I just learned about the 1968 version of Romeo and Juliet by the Italian director Franco Zeffirelli because the actress who played Juliet in Zeffirelli’s film (Olivia Hussey) recently passed away.
I had seen parts of this epic film starring Brad Pitt before, but I had forgotten most of it. I’ve always been fascinated by the Dalai Lama and have long dreamed of traveling to Tibet, which is what drew me to the movie. The plot is compelling. A group of Austrian mountaineers, including Heinrich Harrer (played by Brad Pitt), sets out to climb a formidable peak in the Himalayas. However, their plans are disrupted by the outbreak of World War II, and the group is captured and imprisoned by the British. After escaping from the internment camp, Harrer and his companion, Peter, journey through Tibet for an extended period. They eventually reach Lhasa, the capital city, where Harrer strikes up an unlikely friendship with the young Dalai Lama.
We often think of today’s politics as brutal and ruthless. Watching A Royal Affair, which explores the politics of Denmark just before the American and French Revolutions, reminds us that politics has always been a brutal affair. The film is not uplifting, as it portrays the political maneuvering at the Danish court, but it offers an excellent history lesson. After watching the film, I wanted to find out to what extent it was historically accurate. According to Wikipedia—which I generally trust—the film is very accurate in its portrayal of how the personal physician of the king tried to bring Enlightenment values to the government of Denmark.
If you are hoping to learn a lot about Leonard Bernstein’s artistry, Maestro will disappoint you. There are two moments where one gets a sense of Bernstein’s creative power. Otherwise, the film is dedicated to chronicling his complicated love life. Bernstein is homosexual but marries and has children. Bradley Cooper (director and actor of Bernstein) focuses on telling this story. Bernstein’s musical artistry merely serves as a background that remains largely unexplored. I once saw a little video of Bernstein teaching the history of music in five minutes at Harvard. Given the title Maestro, I was hoping music would be at the center of the film. Perhaps there is a good documentary on Bernstein I can look for.