Peter Murmann

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Sully

Sully

2 January 2017

Sully has been nominated by many critics as a top film of the year.  I knew why many critics loved the film.  Sully rejects landing a plane that lost both engines safely on the Hudson River and saving the lives of all 155 passengers makes him a hero. He insists that he was just doing his job. He also insists that he was not doing the alone. There was his co-pilot, the crew, the emergency response team of NYC.

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Departures

Departures

26 December 2016

Christmas 2016. This wonderful film from Japan landed in my house during the holidays. It has been circling the airwaves since 2008. I am glad it finally reached me. The film won an Oscar for best foreign film and it is a treat fitting the holiday spirit. At the center of Depatures is Daigo, a thirty something cello player (Masahiro Motoki) in Tokyo whose classical orchestra closes down. Because he just had spent $US 150,000 on a cello he is now in a real fix. The event triggers soul-searching.

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Hacksaw Ridge

Hacksaw Ridge

24 December 2016

I saw this film on the weekend after Donald Trump was elected President of the United States. The Donald as the commander-in-chief of the most powerful military in the world is not a comforting thought.

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Boy

Boy

26 November 2016

Enchanted by The Hunt for the Wilderpeople, I rented Taika Waititi’s earlier film Boy. It is not as mesmerizing as the The Hunt but it still a tour de force of creativity.

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Girl on the train

Girl on the train

31 October 2016

I did not jump onto this train voluntarily. I was dragged on it. After watching it, I can at least confirm that the low IMDB rating is right on target.  Now the most interesting question is why would this book become a bestseller? I suspect because it allows women to feel victims of their controlling husbands. This film will not withstand the test of time. In 100 years—I confidently predict—it will be completely forgotten.

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Demolition, Mr. Right, Everybody Wants Some

Demolition, Mr. Right, Everybody Wants Some

26 September 2016

On a recent plane ride, I watched three films. Demolition, Mr. Right, Everybody Wants Some. Demolition was the best among the three. It tells the story of a hardworking man on Wall Street who on his way to work into the city has car crash in which his wife is killed. As he is mourning his wife’s death, he is learning that his wife unbeknownst to him was not happy in their relationship. He now starts to demolish his old life to find out why.

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Miles Ahead

Miles Ahead

21 July 2016

A couple of months ago, I watched the documentary on Jimi Hendrix Hear my Train Coming. Starting in his teenage years, Jimi was only interested in two things: his guitar and women with music clearly in first place. The film draws much on live performances where the genius of Hendrix becomes very clear. At the end of the film, we learn that the estate of Jimi Hendrix “commissioned” the documentary. Only then did it become clear that we are watching a sanitized version of Hendrix’s life. The man died from a drug overdose. But in an effort make Jimi appear as likable and charming as possible and increase for his estate sales from his music his death is portrayed more as an accident of someone how dabbled a bit in drugs. Miles Ahead takes a very different approach.

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