La Vie en Rose is the mirror image of August Rush. Telling the story Edid Piaf’s exotic life, the film easily feels real and authentic. For an ear that grew up on pop and classical music, it is difficult to connect to the French style of singing in the 1920s and 1930s. I could not hear what made Edid Piaf’s singing so extraordinary.  By contrast, the first time August Rush touches a guitar to make music, it is apparent that this kid is a genius. You can see and hear it. I found La Vie en Rose to be in a similar league as Ray and Walk the Line.  In regard to the superb acting, the most compelling scene takes place on the first date that Edith Piaf (Marion Cotillard) has with the boxer Marcel Cerdan (Jean-Pierre Martins). Cotillard task is to show in her face that Piaf, who grew up in a whorehouse and has had a long list of lovers, is smitten with Marcel in a way she had never felt before (a “coup de foudre” as the French would say). Cotillard deserved the Oscar this year for this scene alone.